Monday, August 11, 2014

#020 - The Electric Boog-a-Lou

So Lou got home from his tour a day earlier than I expected, so I pulled an all nighter to get this thing ready for him.  Looks and sounds pretty damn good if you ask me.

Here's the specs:

  • Chambered/semi-hollow red oak core body, shape based on Gibson L-00, and Lou's resonator
  • Quartersawn curly red oak top and back
  • 3 piece quartersawn curly red oak neck
  • 25" scale ebony fretboard, 17 frets, 12" radius
  • Lindy Fralin P90 pickups, 10% underwound neck
  • Gotoh Tune-o-matic bridge with custom walnut base
  • 1960's Kingston trapeze tailpiece
  • Vintage radio knobs
  • Stewart Macdonald classical tuning pegs






Wednesday, May 28, 2014

#020 - Electric BoogaLou

Got the top and back on now, and made the access panel for the electronics.  Just need to route the neck pocket, pickup holes, and round off the edges.  After that, drill the holes for the pots, switch, jack, and then stain it.

Since some people like to give me shit about using a lot of clamps...





Saturday, May 24, 2014

#020 - Electric BoogaLou

So now Lou has the electric bug again and has tasked me with designing and building him a solidbody electric.  I made up several designs, and he chose the one that was the exact shape of his resonator.  We immediately started gathering materials, and after some discussion about woods that are easy to "antique", I convinced him that oak is the way to go.

We made a trip to the local hardwood lumberyard last sunday, picked out some 6/4 red oak for the core, and a nice highly figured quartersawn red oak board to have resawn to bookmatch for the top and back.  After we got back, we ordered some custom Lindy Frailin P-90s, and an Ebony fretboard.  Been getting as much as I can done each day, almost ready to glue the top and back on.  Here's some pics.




Milling out the core.  Had to do a lot of it by hand, i need a bigger drill press.

Marking off the hollow area so I can make an access panel for the electronics.

weighs like 7 pounds less now.

Ebony 25" scale, 12" radius
Stay tuned for more updates.

Thursday, May 15, 2014

#019 - Soprano Ukulele

Got the neck on, bridge on, and everything sanded today.  Just gotta order some tuners now and make a nut, and put the finish on it now.  The neck is actually darker than it appears, the mineral spirits just dried up by the time I shot the pic.







Monday, April 28, 2014

Yamaha 12 string repair/overhaul

About 6 weeks ago, I had this 70's yamaha come in with a partially shattered back, and in desperate need of a neck reset.  It had all the classic signs of needing the neck angle adjusted, almost no frets left, saddle shaved down to almost nothing, nut shaved down, and still super low action.  The back was cracked horizontally across the tail block area, and taped together with medical tape, so I recommended that the back be replaced.

 I forgot to take pics before removing the back...



Little did I know, this wasn't the entirety of its problems.  Once I got the back off, I discovered that it only had half of a tailblock.  Where it went?  No idea.








After getting it apart, I had to repair the tailblock, and then I went to work on the neck.  The neck was unlike anything I have seen before, I'm not sure if this was a factory thing, or someone did a terrible job resetting it before, but the neck was epoxied on with dowels and biscuits.  I managed to get it partially loose via steaming, but had to cut through the dowels and splines that were in there to get it off all the way.  Once those were gotten rid of, I reattached the neck with a tenon and bolt.

The back was the easiest part, got a nice bookmatched mahogany set, and matched the stain as best I could.  I also went from 4 braces to 5 to give it some extra protection from previous hulk smashes.  Had to putty a few areas where the old binding chipped the finish coming off and where the neck removal pulled some finish chips with it, but while it isn't the prettiest job i've done, its solid as hell. Strung it up this morning, and god damn this fucker is loud and bright.  



Overall, I'm very happy with my results.  I wish the guitar would have cooperated a little more so I wouldn't have had to putty some things, and wish I could have gotten it done like a month ago, but we've had a family situation going on that took priority over work. 

Wednesday, April 9, 2014

#014 - Lou Shields Resonator

Finished her up today so Lou could take it with him to the Juke Joint Festival in Mississippi this weekend.

Specs:

-Highly figured Claro Walnut neck, back, and sides
-Flamed Maple top
-Gretsch spider cone
-Walnut bridge
-Dual piezo pickups
-25.75" scale ebony fretboard with steel side markers
-Stewart Macdonald vintage tuners
-1/4x1/2" steel neck reinforcement

-Ebony nut
-One of a kind hand made cover plate by Ryan Fielding of Paragon Customs






Sunday, March 16, 2014

Acoustic Repair/Plate jointing jig

I got a 12 string Yamaha acoustic in for a back replacement, neck reset, and refret.  It looked like the guitar got thrown against a wall or something.  The back is cracked in a place where gluing it is not an option, so it was recommended that the whole back get replaced.  I found a good set of quartersawn Honduras Mahogany for it, but the supplier hadn't put an edge on it.  These pieces are a little thinner than I typically get, so I wasn't able to put them through an electric jointer/planer.  Don't want to risk them shattering themselves, so I made up a little jig I learned about from a PBS show that uses mostly amish style woodworking techniques.

The idea is to use a level with sandpaper glued to it to slowly flatten the edges for joining in the middle.  I just used the flattest pieces of scrap wood I have for holding the wood down and keeping the sanding beam level.  Takes a while to dial in the edge, but you get super clean results with it.

I'll post up pics of the guitar later, my camera battery died right after snapping these 3.